The world of yowhatsshakin

 
 

In ’85, the 1st style SB-2 was renamed to Lynx with several upgrades applied to this model. Firstly, now one had a choice of either maple, poplar, or ash body. The latter 2 wood choices allegedly tame the pronounced high-end of these Jazz-style MFD single-coils. Secondly, the body had arm- and belly-contours to add more comfort playing the instrument. Thirdly, is was available in a wide range of finishes, including this Red finish. Fourthly, whereas the SB-2 had only been available with a maple fingerboard, the Lynx appeared on the January 1, 1985 price list with both maple and rosewood fingerboards. What remained were the 2 Magnetic Field Design (MFD) single-coil pickups, super simple control scheme of single volume and tone controls, and the 34” scale hard-rock maple #2 neck. The Lynx was discontinued in late-1991 when BBE took over. There is not too much other info available on this model beyond this Lynx on Greg Gagliano’s ggjaguar.com website.

 

G&L Lynx

The story behind this bass

Year:                  1988

Serial number:    B019285

Neck date:         OCT 20 1988, second stamp APR 21 1988, carved ‘Super’

Body date:         none, marked ‘8’, ‘4’

Strings:              D’Addario EXL170 Nickel Wound Light Long Scale (45-100)

Usually I only buy ”all original” G&Ls, especially when it comes to instruments built when Leo was still around. But rules are there to be broken and this Lynx is full evidence of that. Instead of the simple control scheme mentioned above, a previous owner of this bass modified the wiring to that of the 1960-1962 Fender Jazz Bass: separate volume and tone control for each pickup using 2 concentric potentiometers. Beyond that, the bass was offered by a reliable source: Martin Music Guitars in Memphis, TN. The bass looks absolutely great as can be judged below. Eric Daw needed to tune-up the wiring a bit because both volume pots didn’t work causing this bass to just be loud. And one had no way to mix and/or control the 2 pickups. Now with the proper set-up the versatility of independent controls comes to the fore. Many (good) sounds can be achieved by such a relatively simple control scheme. Very nice!