‘The Real Ones’ - A history of G&L

 
 

In the first 5 years of G&L’s existence, George and Leo worked hard to design and build instruments with improvements on concepts generally in use in building basses and guitars. Many of these innovations were covered by patents owned by Leo, with one very notable contribution by George, as discussed in “Patents & Parts”. G&L instruments were often different beasts altogether, especially pre-BBE guitars and basses. The first bass released by G&L, and the very first model in general, was the L-1000, affectionally known as the ‘Wunkay’. As derived from the logs, it seems production started on July 9, 1980. Shortly thereafter, the L-1000 was followed by its twin pup brethren: the L-2000. Both models were offered built out of common tonewoods: mahogany, (soft) maple, or (swamp) ash body and hard-rock maple neck initially with either ebony or maple fingerboard while rosewood was an additional option starting mid-1983. Both were also available in a fretless version, like this L-1000F. And they introduced the world to the revolutionary Magnetic Field Design (MFD) pickups.


The first guitar released was the F-100. The prototype for this model has a neck pocket date stamp of 1-16-1980 and APR 28 1980 on the neck heel, no serial number, slightly different control layout with a 4th mini-toggle switch, and is featured in the 1980 catalog shown below. The F-100 that went into production was available with different body woods (mahogany and ash), vibrato or hardtail bridge, hard-rock maple neck with choice of radius (Series I with 12” or Series II with 7½”), optional preamp (Series IE and Series IIE), and ebony or maple fingerboard; rosewood was not offered even on the June 1, 1986 price list, the last one I have with the F-100 listed. Although few F-100s were produced after 1983, Dale Hyatt accepted orders on this model up to the day of his retirement in November 1991. Both basses and the guitar were inspired by already existing models produced by other manufacturers. The L-series basses are inspired by the Precision bass (but with a bucker), and the F-100 seems to be a straight upgrade from the Leo-designed Music Man Sabre. The latter even in model designation since the F-100 fighter jet is known as the ‘Super Sabre’. And of course they both sport MFD bass or guitar humbuckers with adjustable pole pieces. In 2003, G&L built an Ivory F-100 prototype (S/N CLF31273), still with 2 tone controls but without model decal on the matching Ivory headstock. But it claims the tooling for the F-100 humbucker was only resurrected in 2005 during the development of the 25th Anniversary model, the first guitar more generally available in the BBE-era with these revived pickups. They were then used on the 2007 F-100 Return Edition, now with master tone control, and the BBE-era F-100 produced between 2009 and 2017.


The G-200 is interesting for several reasons. With a body and neck designed by George Fullerton, and introducing the G&L hook or “teat” as part of the headstock shape, for once Leo Fender had his company release an instrument with more Gibson-esque features. First, he strayed from his beloved 25½” scale length and used 24¾” instead. Second, the separate volume and tone controls for each of the 2 MFD humbuckers, which are slightly different from the ones used on the F-100. The initial G-200 had a cloud-shaped panel for all controls except the 3-position pickup selector. At the insistence of Dale Hyatt, the controls were rear-loaded for the last 20 or so. Strangely enough, although great sounding, the G-200 wasn’t very popular. It never hit the “LP Killer mark” as Greg Gagliano writes in “Leo vs. Les: G&L G-200 and Gibson Les Paul Standard”. On top of that, Leo was not a big fan of the G-200 likely because of all these Gibson-esque elements. This all resulted in a limited production run between 1982-1984. But that did not stop Leo to experiment with different footprints for his humbuckers as evidenced by the (rare) 1st X-body Interceptor II or Cavalier and those used on the HG-2, one of the ‘entry level’ models.


Of course, both Mr. Fender and Mr. Fullerton are mostly known for their guitars with single-coil pickups developed and built under the Fender brand until 1965. Although the updated version of the Telecaster is the main focus of this site, George & Leo also tried to improve the Stratocaster. This page relates the evolution from S-500 to Nighthawk/Skyhawk and beyond.


G&L was certainly a guitar manufacturer of its time. “Big-hair” bands were immensely popular is the early-1980s. In 1983, something entirely quirky and unique was introduced to the market: the  Interceptor. G&L also dabbled in more conservative Superstrat designs, introducing the Invader, Superhawk, and Rampage in mid-1984.


All the ‘entry level’ models were developed during these first five years with most importantly, at least for me, the SC-2 introducing the single-coil Jumbo MFD which would eventually lead to the introduction of the Broadcaster/ASAT in 1985.


Below are some group shots of early models. Also shown are several relevant ads, price lists from 1980 (with sales catalog), 1983, and 1985, showing the ever expanding G&L offering, as well as a number of spec sheets from a 1983 sales binder, highlighting marketing material for many of the aforementioned models. Other marketing and sales material can be found on the relevant pages.


Passive and active F-100 (L-to-R):

1981 F-100 Series I, 1981 F-100 Series IE, 1980 F-100 Series II w/DFV, 1981 F-100 Series IIE w/DFV, 1982 F-100 Series II.

The first 5 years